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WORKS

2019-

PROJECTS
2020-

EXHIBITIONS
2023-

Yesterday was November 18 and Tomorrow Will Be Too, London, UK
The Interim Show, London, UK
The Holes, London, UK
Constant Withdrawal, KR
Five Elements, London, UK
Transformation Project, Averill Park, NY, US
Aesthetics of Bliss, London, UK

RESIDENCY
2023-

Arts Letters and Numbers, Averill Park, NY, US

PRESS
2023-

CBS6 Albany, 2023 -
“Nopiates committee's transformation project sheds light on substance abuse disorder”

Constant becoming. Accumulated mistakes.

A thing is not just what it is right now, but also what it withdraws from us, what it could be, and what it might become.

Kim explores how landscape, memory, and mediated image can return as sculptural environment. Working across sculpture, installation, she begins from walking, looking, and remembering, and from the way nature is increasingly encountered through screens, distance, and projection rather than direct contact. What remains is not a fixed image of landscape, but a translated terrain shaped by residue, desire, and imagination.

Kim works with materials such as plaster, the works stands on the threshold between something that goes beyond forms and the physical world, allowing forms to emerge that seek in states of transition and ambiguity, hovering in states of ‘becoming’- neither familiar nor unfamiliar, but suspended in between that exists beyond our desire, fear, or dream.

Through this inquiry into perception, materiality, and transformation, Kim Hyun Jee resists metaphysical fixity, and her sculptures propose that reality is an ongoing choreography of perception, matter, and interpretation.

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