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WORKS

2019-
  1. 11:00 GMT at the edge of TQ375802
  2. <Thursday, 26 March 2026 at 13:56 IMG_51.657078N_0.041282E.>
  3. Of the moment that would never reach but never leave
  4. A Walk
  5. A Garden
  6. Do You Believe in the Distortion of Our Laws- 무위 - 形而上学
  7. Full Bloom
  8. A Pond
  9. Dreaming at the Beach
  10. My Father
  11. My Father’s Dancing Legs
  12. Bed Fight at 10 
  13. Documentation [30.11.2020-11.2.2021] On Potato
  14. I Want to Understand You and I Forgive You
  15. I Can’t Find My Home
  16. My Quiet Room




PROJECTS
2020-
  1. 7 5 ° 2 3 ’ 7 5 . 1 ” H
    77°92’99.2” J
    L I VIN G R OOM, 0700
  2. I Can’t Find My Home
  3. Home Dinner [babsang 밥상]
  4. In My Dreams
  5. Spiders in My Bed
  6. Toastbook
  7. How to Bake a Cake
  8. My Quiet Room




EXHIBITIONS
2023-
  1. Yesterday was November 18 and Tomorrow Will Be Too, London, UK
  2. The Interim Show, London, UK
  3. The Holes, London, UK
  4. Constant Withdrawal, KR
  5. Five Elements, London, UK
  6. Transformation Project, Averill Park, NY, US
  7. Aesthetics of Bliss, London, UK





RESIDENCY
2023-
  1. Arts Letters and Numbers, Averill Park, NY, US



PRESS
2023-
  1. CBS6 Albany, 2023 - 

    “Nopiates committee's transformation project sheds light on substance abuse disorder”








           
   Constant becoming. Accumulated mistakes.

       


                    A thing is not just what it is right now, but also what it withdraws from us, what it could be, and what it might become.





 

Kim explores how landscape, memory, and mediated image can return as sculptural environment. Working across sculpture, installation, she begins from walking, looking, and remembering, and from the way nature is increasingly encountered through screens, distance, and projection rather than direct contact. What remains is not a fixed image of landscape, but a translated terrain shaped by residue, desire, and imagination.

Kim works with materials such as plaster, the works stands on the threshold between something that goes beyond forms and the physical world, allowing forms to emerge that seek in states of transition and ambiguity, hovering in states of ‘becoming’- neither familiar nor unfamiliar, but suspended in between that exists beyond our desire, fear, or dream.

Through this inquiry into perception, materiality, and transformation, Kim Hyun Jee resists metaphysical fixity, and her sculptures propose that reality is an ongoing choreography of perception, matter, and interpretation.



Mark
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I Want to Understand You and I Forgive You








I Want to Understand You and I Forgive You
video, 1’17, 2022
         


I Want to Understand You and I Forgive You manifests as a multimedia opus wherein the artist engages in a recorded introspective monologue, delving into the intricacies of their paternal sentiments. The absence of scripted discourse imbues the piece with an unfiltered authenticity, akin to a solipsistic therapeutic dialogue, encapsulating the artist's journey toward self-revelation. In the atmospheric backdrop of an overcast and blustery day, the artist grapples with a heightened emotional state, transcending the quotidian tribulations. Against this tumultuous emotional canvas, the artist's attention is drawn to a solitary tree, its sinuous branches gracefully swaying in response to a subtle zephyr. These arboreal appendages, in their undulating cadence, evoke an anthropomorphic semblance of anguish and bewilderment, yet persistently exhibit an innate inclination toward survival—an allegory harmonizing with the artist's own existential milieu.

This documentation serves as an intimate visual testament, portraying my silent communion with the arboreal subject, thereby encapsulating a profound symbiosis between introspective human inquiry and the stoic resilience of the natural realm, navigating the nexus of emotional self-exploration and a contemplative rendezvous with the arboreal tapestry. In this multidimensional creation, the artist's internal narrative converges with the silent struggles of nature, beseeching viewers to not only witness the unfolding of a personal odyssey but also to engage in a cerebral discourse on the indomitable human spirit in the face of existential tempests.


Click - Link to the video


Stills from the video