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WORKS

2019-
  1. 11:00 GMT at the edge of TQ375802
  2. <Thursday, 26 March 2026 at 13:56 IMG_51.657078N_0.041282E.>
  3. Of the moment that would never reach but never leave
  4. A Walk
  5. A Garden
  6. Do You Believe in the Distortion of Our Laws- 무위 - 形而上学
  7. Full Bloom
  8. A Pond
  9. Dreaming at the Beach
  10. My Father
  11. My Father’s Dancing Legs
  12. Bed Fight at 10 
  13. Documentation [30.11.2020-11.2.2021] On Potato
  14. I Want to Understand You and I Forgive You
  15. I Can’t Find My Home
  16. My Quiet Room




PROJECTS
2020-
  1. 7 5 ° 2 3 ’ 7 5 . 1 ” H
    77°92’99.2” J
    L I VIN G R OOM, 0700
  2. I Can’t Find My Home
  3. Home Dinner [babsang 밥상]
  4. In My Dreams
  5. Spiders in My Bed
  6. Toastbook
  7. How to Bake a Cake
  8. My Quiet Room




EXHIBITIONS
2023-
  1. The Interim Show, London, UK
  2. The Holes, London, UK
  3. Constant Withdrawal, KR
  4. Five Elements, London, UK
  5. Transformation Project, Averill Park, NY, US
  6. Aesthetics of Bliss, London, UK





RESIDENCY
2023-
  1. Arts Letters and Numbers, Averill Park, NY, US



PRESS
2023-
  1. CBS6 Albany, 2023 - 

    “Nopiates committee's transformation project sheds light on substance abuse disorder”








           
   Constant becoming. Accumulated mistakes.

       


                    A thing is not just what it is right now, but also what it withdraws from us, what it could be, and what it might become.





 

Kim explores how landscape, memory, and mediated image can return as sculptural environment. Working across sculpture, installation, she begins from walking, looking, and remembering, and from the way nature is increasingly encountered through screens, distance, and projection rather than direct contact. What remains is not a fixed image of landscape, but a translated terrain shaped by residue, desire, and imagination.

Kim works with materials such as plaster, the works stands on the threshold between something that goes beyond forms and the physical world, allowing forms to emerge that seek in states of transition and ambiguity, hovering in states of ‘becoming’- neither familiar nor unfamiliar, but suspended in between that exists beyond our desire, fear, or dream.

Through this inquiry into perception, materiality, and transformation, Kim Hyun Jee resists metaphysical fixity, and her sculptures propose that reality is an ongoing choreography of perception, matter, and interpretation.



Mark
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11:00 GMT at the edge of TQ375802






#11:00 GMT at the edge of TQ375802


Installation view of

11:00 GMT at the edge of TQ375802 for The Interim Show, Goldsmiths MFA Fine Art Studio Building, London, UK, 2026



 






Familiar forms appear simultaneously geological and bodily, while their surfaces retain the traces of making and transformation. Rather than reconstructing a specific landscape, the work suggests a place assembled from imagined memories and incomplete experiences. Viewers navigate the installation physically, encountering shifting relationships between object, architecture and movement. The work asks how spaces that have never been inhabited might nevertheless feel remembered, and how material can hold experiences that remain beyond direct perception.