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WORKS

2019-
  1. 11:00 GMT at the edge of TQ375802
  2. <Thursday, 26 March 2026 at 13:56 IMG_51.657078N_0.041282E.>
  3. Of the moment that would never reach but never leave
  4. A Walk
  5. A Garden
  6. Do You Believe in the Distortion of Our Laws- 무위 - 形而上学
  7. Full Bloom
  8. A Pond
  9. Dreaming at the Beach
  10. My Father
  11. My Father’s Dancing Legs
  12. Bed Fight at 10 
  13. Documentation [30.11.2020-11.2.2021] On Potato
  14. I Want to Understand You and I Forgive You
  15. I Can’t Find My Home
  16. My Quiet Room




PROJECTS
2020-
  1. 7 5 ° 2 3 ’ 7 5 . 1 ” H
    77°92’99.2” J
    L I VIN G R OOM, 0700
  2. I Can’t Find My Home
  3. Home Dinner [babsang 밥상]
  4. In My Dreams
  5. Spiders in My Bed
  6. Toastbook
  7. How to Bake a Cake
  8. My Quiet Room




EXHIBITIONS
2023-
  1. Yesterday was November 18 and Tomorrow Will Be Too, London, UK
  2. The Interim Show, London, UK
  3. The Holes, London, UK
  4. Constant Withdrawal, KR
  5. Five Elements, London, UK
  6. Transformation Project, Averill Park, NY, US
  7. Aesthetics of Bliss, London, UK





RESIDENCY
2023-
  1. Arts Letters and Numbers, Averill Park, NY, US



PRESS
2023-
  1. CBS6 Albany, 2023 - 

    “Nopiates committee's transformation project sheds light on substance abuse disorder”








           
   Constant becoming. Accumulated mistakes.

       


                    A thing is not just what it is right now, but also what it withdraws from us, what it could be, and what it might become.





 

Kim explores how landscape, memory, and mediated image can return as sculptural environment. Working across sculpture, installation, she begins from walking, looking, and remembering, and from the way nature is increasingly encountered through screens, distance, and projection rather than direct contact. What remains is not a fixed image of landscape, but a translated terrain shaped by residue, desire, and imagination.

Kim works with materials such as plaster, the works stands on the threshold between something that goes beyond forms and the physical world, allowing forms to emerge that seek in states of transition and ambiguity, hovering in states of ‘becoming’- neither familiar nor unfamiliar, but suspended in between that exists beyond our desire, fear, or dream.

Through this inquiry into perception, materiality, and transformation, Kim Hyun Jee resists metaphysical fixity, and her sculptures propose that reality is an ongoing choreography of perception, matter, and interpretation.



Mark
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<Thursday, 26 March 2026 at 13:56 IMG_51.657078N_0.041282E.>






#THE HOLE


Installation view of <Thursday, 26 March 2026 at 13:56 IMG_51.657078N_0.041282E.> at hARTSlane Gallery, London, UK

Installation, plaster, varnish, 2026



 






마치 산책로를 따라 걷는 듯한 동선의 이 설치 공간 속에서 나는 관객에게 질문 하나를 던지며 시작한다.
‘당신은 무엇을 꿈꾸고 있나요?’

이 작업은 숲을 걸었던 기억이 시간이 지나며 어떻게 이미지, 촉감, 상상의 잔 여로 남는지를 탐구한다. 직접 경험한 풍경은 사진과 기억을 거치며 더 이상 고 정된 장소로 머무르지 않고, 내면 안에서 다시 구성되는 환경이 된다. 설치는 산책로를 따라 걷는 듯한 동선을 통해 관객이 하나의 방 안에서 각자의 기억과 욕망, 그리고 아직 도착하지 않은 풍경을 마주하도록 유도한다. 내가 만든 이 자연은 외부의 재현이라기보다, 과거가 된 감각과 현재의 촉감이 응고되어 형성된 사적인 landscape에 가깝다.